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The Principles of Primary Balance
An understanding of the terminology used in T.O.E - The Order Explained is required for best assimilation of this subject. The following prophecy reiterates the importance of the terminology used and has been confirmed again and again: "Through the coincidence of words I will teach you." The Principles of Primary Balance and Field Quanta Relationships Part Seven - The Relationship between Inertia, Gravity and 'My Given Time' ARTICULATION OF THE WORD The Gonus valve, as an arrangement of organisation, having being referred to earlier in this series as the lips that terminate the spinning arms of the conduits are, as our lips are, the final articulative vocal or 'vocal-like' organ that takes part or rounds off the production of speech. For us speech is the sound produced when our vocal chords are made to vibrate when air from the lungs is forced over them and the vibration is modified by the resonant effect of our articulators. These articulators are of two types: active and passive. The passive organs are those that are fixed, being the teeth and the hard palate while the active organs are those that are flexible and can move, being the tongue and lips. God referred to the actions of the Gonus valve lips as 'lip-sing' and to pronounce this word is a good way to demonstrate how important our lips, together with our tongue and teeth, are in the pronunciation of this word and in one way or another all words. Words formed of the sounds and inflections of the voice, by the use of our articulators, are for us the ability to communicate our thoughts, ideas and feelings. There is a striking analogy between the way we communicate our thoughts etc by sound, sight (electromagnetic radiation) or electronics and the way God, as God, maintains what He has created and continues to create. An analogy is a comparison made to show a similarity in a limited number of details, for example our communications convey information and ask questions etc that can call for or encourage responses. By comparison God's communications are the Father's powerful words (impulses), words from the heart, the seat and source of all power filled vibrant quantative impulses. Impulses conveyed by the perfect intelligence of the Holy Spirit (F.E.G.H.S) and carried on the cor-pulse of the supernatural frequency of the P.U.F to be articulated by the Son for the creation and maintenance of what the Father has conceived. As the Father is the cornerstone of the structure, the Son is the keystone in the sense of the central stone that connects and supports other related things (perts) and what surrounds them. The Son has also been referred to as the cornerstone, the most important part of the structure, and this would seem to conflict with the Fathers role but the truth is there is no conflict because keystone is also called quoin, which is also referred to as cornerstone. In this way the Father and the Son are one in form and purpose. The purpose of the Gonus valve is to regulate and inflect, by precise fine changes of angle, the release of power (eddy loaves) to the perts, the flow of power Q.P.V's to all field activities and to release and or absorb the P.G.H.S needed to maintain the plenum pressure differential throughout the infinite plenum-matrix. When we refer to stone in general and cornerstone or keystone in particular we have a sense of fixedness or stability; something placed so as to be immovable. As the supreme facetial vitalities of the Father are resolutely fixed in infinite array, so too are the 'rings of defining facetial intermediary vitalities' (the rings of definition) the seat of the Son, resolutely fixed, positioned in spinning - rotating - pairs in infinite array. The geometrical placement of the Father and the Son is brilliantly simple, so simple in fact that without being revealed no one would consider or conceive it as a possibility. The easiest way to picture the geometry is to start with an isometric outline of an open cube, as in Fig 1, that allows you to see all eight corners of the cube which represents one of the infinite cubes or interspaces of the graticule. In Fig.1a we have added a small two dimensional diamond to each corner to show the positioning of the Supreme Vitalities of the Father.
Figure 2 depicts one face of the cube with the corners extended to form crosses to show its connection with the infinite network. The squares centered on the crosses are divided into four equisized triangles. This is a two dimensional sketch and does not show that as a three dimensional figure the triangles, as a representation of the facets of the vitalities, are not only equisized but are equilateral.
Figure 3 shows the isometric cube outline with the corners extended as three dimensional crosses. On the cross marked A is drawn a three dimensional vitality. If A is viewed from position B it can be drawn as a two dimensional diamond with the grid line dividing the diamond into two equisized (equilateral) triangles as in Fig.3a.
Lest we forget, God referred to this bent diamond as the lozenge and lozenge as a geometrical shape is another name for rhombus and rhombus comes from the Greek rhombos (something that spins or whirls). If A is viewed from position C, see Fig.3b, the three dimensional form of the diamond is bent on the gridline and it will look like a mirrored pyramid, a form which shows the simple and beautiful symmetry of the vitality. The top of a pyramid is called the vertex and as all the divine vitalities, (supreme, intermediary and colloidal), are multi-pyramidal forms all their points (cusps, spinodes) are therefore vertexes. Vertex from Latin; whirlpool, from vertere to turn. Vortex, which is a whirling mass of a fluidity, also comes from the Latin a whirlpool and is a variant spelling of vertex ("Through the coincidence of words I will teach you".) The perfect symmetry of the supreme vitalities, positioned as they are on the corners (crosses) of the cubes which are also perfectly sized and as cubes perfectly symmetrical, present the ideal configuration for the perfect control of the pert and all other perturbations. Mirroring within the cubical system due to these combined symmetries results in what God has called 'mirrortating' (mirror- rotating, mirror symmetry or mirror writing) which is an important factor behind particle interplays. More on this subject will be disclosed in a later section. As all the cubes that make up the plenum-matrix are exactly the same, what applies to one applies to all, infinitely. Although the geometry is beautiful and simple the applied reality is beyond human consideration because we cannot conceive or experience such truth (precise so as to pre-decide accurately), such seemingly impossible accurate measurements of space, size and time. God, as God, is the infinite truth, the infinite perfection. As the triune and only God, God is infinitely faithful, reliable, all powerful and is infinite love. Being all these things God has decided on the measure for time and space. He has done this so that the founding, the determination of creation that is beyond us, cannot be challenged or upset by meddlers. In other words God has infinite (final) control. The registration of perturbations fall roughly into three categories, namely: radiational perturbations, or what we call the electromagnetic radiation spectrum; gravitational field quanta perturbations (which include electric and magnetic field quanta) together with gravitational field streams, and finally pert or permanent mass perturbations. Once a perturbation has been scanned and registered, the Father issues the energetic word (code) required for the continuance of its specific creative performance. Returning to the sketches we can now position the Gonus valves. In figure 4 we depict 2 of the vitalities which have been connected to the gonus valve by lines to represent the bugle shaped conduits of the tight spinning vortexes, formed of the F.E.G.H.S and issued from the vitalities and conserved by the congruency of the Father and the Holy Spirit. Centered on the ends of the lines are small circles. These circles, which are just touching, represent a cross section of the ring seals, seats or lips of the gonus valve. The asterix's depict the rings of intermediary vitalities and the circles and lines the outlines of spinning fluency. In possession of this description we can now describe the congruent actions of the facetial spindle complex.
To do this we must first describe how the conduits are terminated at, and by, the gonus valves. The spiraling vortexes of the F.E.G.H.S engage with the rotating rings of the intermediary vitalities and are wound into complex windings or coils. In the process the words (codes) of the Father, conveyed by the Spirit, are read by the Son, who in agreement with the Spirit separates the plasma from the essence (colloidal vitalities) C.V's and converts the words coded on the C.V's into energetic plasmatic vortices (moments, conservation's) of energy for dispatch to whatever perturbation has been assessed. It is the way these packets of energy are articulated (modulated) by the Son, under the influence of plasma flows (fields) through the plenum matrix and over the lips of the Gonus valves that sets up vector patterning of the energy; patterning that biases the perts core chip causing it to radiate its state of balance. On reception of this radiation the Father directs the movement of the pert, or in the case of the graviton, the mass movement of the perts that make up the system in accordance with its ideal state of configuration. We are, at this point, knocking on the door of the cause of gravity but before we can turn the handle of the door we must know more about what God has called the 'Gravity of Time' or 'My Given Time' which is the 'Supernatural Timing' needed to establish the cause of gravity. There is no uncertainty within the Gravity of Time, only order. In the next installment we continue to explain the Principles of Order and Supernatural Time with regard to inertia and gravity. Copyright © 1999-2006 Mantelet Communications. All rights reserved. This text may be downloaded or printed out for private reading. Mantelet directs that portions of text not be taken out of context for purposes of quotation and/or analysis. It may not be uploaded to another Internet site or published, electronically or otherwise, without express written permission from Mantelet.
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